Hark back to the heyday of classic rock and one instrument stands above the rest, a 350lb behemoth that would forever change the way we think about making music. At the heart of this monster was an array of tape machines, one per note on the attached keyboard, each playing a uniquely recorded sound. With only 8 seconds of tape per key and a cumbersome frame this machine had its limitations but was nonetheless impressive for its time, boasting a multitimbral and truly polyphonic ‘engine’. Instantly made famous by the Beatles hit ‘Strawberry Fields Forever’ and used by countless others including The Moody Blues, Rolling Stones, and prog rock legends Yes, this was the ‘must-have’ sound of the 60’s. While its use fell out of fashion the implications it made have become fundamental to modern music production.
Features
◆ Pristine and comprehensive sample library from 3 original machines
◆ Mixable key and mechanical noise for authentic experience
◆ Switchable keyboard range (original or extended)
◆ Stereo modes including custom unison
◆ Switchable multimode filter with cutoff and resonance
◆ ADSR envelopes for amplitude and filter with velocity sensitivity
◆ 3-band EQ with sweepable mid frequency
◆ Built-in SparkVerb
◆ Analog-modeled tape delay
It runs on Mac and Windows (every plug-in format) via either the free UVI Workstation or MOTU’s MachFive 3.
Size : 1.7 GB library
12 presets, 28 sounds, 2,000+ samples
A foldback distortion unit that’s unashamedly unsubtle – use it to make your sounds (particularly those of the bass and lead variety) scream. Operation is simple, being based around just Drive and Output Gain controls.
DC1A is the little brother of the compression monster DC8C. Soundwise it’s comparable to the PUNCH mode in DC8C. It’s kind of a mixture of classic opto and FET designs.
IVGI – saturation & distortion


The B.O.D is emulating a well known bass processing unit. Can you guess witch one ?
