How to Setup a Compressor for any Instrument, Song or Genre

In this video Ian Sutton from Signature Sound Recording Studio shows us how to actually set up the compressor. He’ll teach you how to set up a compressor for any instrument in any song in any genre, its actually a pretty simple process. Understanding compression is extremely important, its crucial to understand its controls of attack, release, threshold and gain.

In this video Ian Sutton from Signature Sound Recording Studio shows us how to actually set up the compressor. He’ll teach you how to set up a compressor for any instrument in any song in any genre, its actually a pretty simple process. Understanding compression is extremely important, its crucial to understand its controls of attack, release, threshold and gain.

How to Setup a Compressor for any Instrument, Song or Genre

In this video the guys at http://signaturesound.com/ is going to show you how to setup a compressor for any instrument, song, or genre and its actually a very simple process. It involves knowing which knobs to to turn, what order to turn them in and requires you to use your ears and really listen carefully.

In this video the guys at http://signaturesound.com/ is going to show you how to setup a compressor for any instrument, song, or genre and its actually a very simple process. It involves knowing which knobs to to turn, what order to turn them in and requires you to use your ears and really listen carefully.

To start off they are going to setup the attack and then setup the release, ratio and finally the threshold. Then go on to show you real examples within the video so you can get a better understanding of how to setup a compressor for different instrument groups. Remember to listen with a proper pair of monitors or headphones for quality purposes and to use your ears and train them for these scenarios.

FREE Modern Compressor With A Bit Of “Vintage” Style Bite & Uniquely Warm Sound

Audio Damage’s Rough Rider is a modern compressor with a bit of “vintage” style bite and a uniquely warm sound. Perfect for adding compression effects to your drum buss, it also sounds great with synth bass, clean guitar, and backing vocals. Definitely not an all-purpose compressor, Rough Rider is at its best when used to add pump to rhythmic tracks. Of course, you can use it however you’d like. The Compressor Police aren’t gonna come to your house and give you a citation. Slap it on a track and crank some knobs.

Audio Damage’s Rough Rider is a modern compressor with a bit of “vintage” style bite and a uniquely warm sound. Perfect for adding compression effects to your drum buss, it also sounds great with synth bass, clean guitar, and backing vocals. Definitely not an all-purpose compressor, Rough Rider is at its best when used to add pump to rhythmic tracks. Of course, you can use it however you’d like. The Compressor Police aren’t gonna come to your house and give you a citation. Slap it on a track and crank some knobs.

The front panel layout is done the same as many hardware compressors, so it will be immediately obvious how to use it. A brief overview of the controls:

Ratio: The ratio knob is logarithmic in operation. Completely anti-clockwise is 1:1, and completely clockwise is 1:1000. The 12 o’clock position is 1:10, so everything to the left of center is single digits, and everything to the right is “atom bomb squish,” essentially.

Attack and Release: They left off the actual time values, so you’re gonna have to use your ears, like the he-men did it in times of myth.

Meter: That honking big dial in the middle of the UI is the gain reduction meter. It basically shows how much compression is occurring.

Sensitivity: usually called “threshold” now, but we think “sensitivity” always made more sense. Turn to the right, you get more compression, essentially. Turn it all the way to the right, and you’ve got a distortion box, the sound of which is tuned by Ratio, Attack, and Release.

Makeup: 30 dB of gain to compensate for the attenuation caused by the compressor.

Active: From the front panel, this is simply an off/on switch, but if you automate it, strange things happen…

MIDI Learn: Like all of our products, the VST version has MIDI Learn. Download any manual from the current product line for an explanation of how this works, as it is common among all our VST products.

Rough Rider is available as a VST effect for Windows, and an AU or VST for OSX. The OSX versions are Universal Binaries, and require OSX
10.4.0 or later.

Download Here

Logic Pro Tutorial: Using Side Chain Compression – Tips & Tricks

video-iconIn this tutorial, Dubspot Electronic Music Production and Sound Design Instructor Evan Sutton will demonstrate two techniques for sidechain compression in Logic Pro in the context of dance pop production. These techniques can be used in a number of different musical contexts, and can be even more handy when made part of a Logic template.

Free TDR Feedback Compressor II PC/Mac VST AU

fbcompII

The TDR Feedback Compressor II is a major design update of its critically acclaimed predecessor. The compressor is dedicated to the highest fidelity stereo program (2-buss) compression, but shines equally in classic mixing tasks.

Most modern compressors analyze the input signal to control gain reduction. This is known as a “feed-forward” topology. The TDR Feedback Compressor II, however, analyzes the output. This approach delivers unobtrusive and highly musical compression characteristics which mean the compressor is able to handle complex signals with ease.

The TDR Feedback Compressor II takes this traditional compression topology to new heights as a state of the art dynamics processor combining an unusual and highly flexible, yet intuitive control scheme. The compressor has been carefully tuned for intuitive and musical operation for almost every situation. No compromises have been made in order to achieve the highest possible quality of dynamic control.

We want to emphasize the fact that the processor neither tries to emulate any previously available device, nor does it follow popular trends like “virtual analogue”, “circuit modeling” or similar buzz words. This is a proud digital processor, made with an immense amount of love and care.

Notable features

Beautiful “Feed-Back Compression” sound and behavior
64bit floating point precision for all relevant calculations
Multi-rate processing structure for highest accuracy, critical operations run up to 8 times the original rate
Delta oversampled signal path (bit transparent without processing)
Three side-chain filter slopes: 3dB/Oct, 6dB/Oct and 12dB/Oct
Super fast and natural sounding compression.
Independent release controls for peak and RMS compression
Unique control scheme
Crest Factor control
Advanced stereo linking options optimized for the stereo bus
Delta preview mode. Allows to preview the difference between compressed and original signal
Latency compensated parallel bypass (i.e. processing not interrupted)

Get It Here